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Mon, Dec 9, 2024

Exploring auspicious symbols in Japanese art at Museum of the Imperial Collections

Volume 1 of Illustrated Tale of Mount Penglai (detail)
Edo period, 17th–18th century
(On view: Feb. 4-March 2, 2025)

The legendary Mt. Penglai (or Horaisan in Japanese), was believed to be the land of immortals in Chinese mythology. The legendary phoenix was a sign of harmony and peace, or presaged the coming of a virtuous ruler of the land. Given the proximity of the two cultures, there is no wonder these and other symbols were adopted by Japanese artists as auspicious motifs. Horaisan, in Japanese art, would in time be replaced by the sacred Mt. Fuji. The phoenix, on the other hand, was frequently incorporated into works associated with the Imperial Household.

Inviting Fortune: Auspicious Symbols in Japanese Art

Jan 4 (Sat) – Mar 2 (Sun), 2025

The Museum of the Imperial Collections, Sannomaru Shozokan
(East Gardens of the Imperial Palace, Tokyo)

*See outline below for details
 

The Museum of the Imperial Collections, Sannomaru Shozokan is welcoming the new year (2025) with “Inviting Fortune: Auspicious Symbols in Japanese Art,” an exhibition highlighting zuisho (auspicious symbols) in various forms represented in Japanese calligraphy, paintings and decorative arts, which were passed down in the Imperial Family and are now kept in the museum.

“White Phoenix on an Old Pine Tree” from Colorful Realm of Living Beings
Ito Jakuchu
Edo period, circa 1766
National Treasure
(On view: Feb. 4-March 2, 2025)
Phoenixes and Rising Sun
Ito Jakuchu
Edo period, 1755
(On view: Jan. 4-Feb. 2, 2025)

Among the works to go on display in the exhibition include those by famed artists from pre-modern and modern Japan such as Ito Jakuchu (1716-1800) and Yokoyama Taikan (1868-1958). The “White Phoenix on an Old Pine Tree” (ca. 1766) from Jakuchu’s Colorful Realm of Living Beings series (collectively designated as a national treasure of Japan) is an absolute must-see. The stunning “Phoenix and Rising Sun” (ca. 1755), another painting by the Edo-period artist, will also go on view.

Phoenix
Unno Yoshimori II
Taisho era, 1916
(On view: Jan. 4-March 2, 2025)
Phoenixes
Yuki Somei
Taisho era, 1925
(On view: Jan. 4-Feb. 2, 2025)

Decorative craft work representing other auspicious symbols such as the Treasure Ship “Nagasaki-maru” (1916) by Ezaki Eizo (1878-1965), and an Edo-period incense burner in the shape of a mythical qilin (kirin in Japanese) will also be on display.

The exhibition opens on Jan. 4, 2025, and runs through March 2, 2025.

Treasure Ship “Nagasaki-maru”
Ezaki Eizo
Taisho era, 1916
(On view: Jan. 4-March 2, 2025)
Incense Burner Shaped Like a Mythical Beast (Qilin)
Edo period, 19th century
(On view: Jan. 4-March 2, 2025)

*All works included in the exhibition are housed at The Museum of the Imperial Collections, Sannomaru Shozokan

Outline of the event

Schedule

Sat, Jan 4, 2025〜Sun, Mar 2, 2025

Inviting Fortune: Auspicious Symbols in Japanese Art

1st rotation: Jan 4 (Sat) - Feb 2 (Sun)
2nd rotation: Feb 4 (Tue) - Mar 2 (Sun)

9:30 a.m. - 5:00 p.m.
(Last admission at 4:30 p.m.)
*Opens at 1:00 p.m. on Jan 7 (Tue)

Fri&Sat: 9:30 a.m. - 8:00 p.m.
(Last admission at 7:30 p.m.)
*Regular hours on Jan 31 (Fri) & Feb 28 (Fri)

Museum website

Venue

The Museum of the Imperial Collections, Sannomaru Shozokan

1‐8 Chiyoda
Chiyoda Ward, Tokyo
(East Gardens of the Imperial Palace)

*Indicated as "The National Museum of the Imperial Collections, Sannomaru Shozokan" on the map

Admission

Adults: 1,000 yen
University students: 500 yen
High school students: Free
Visitors under 18 years of age: Free
Visitors 70 years of age and above: Free
Visitors with disabilities and 1 caregiver: Free
*Presentation of ID required.

Closing day

- Mondays except Jan 13 & Feb 24
- Jan 14 (Tue), Feb 23 (Sun; Emperor's Birthday) & Feb 25 (Tue)

Contact

Tel. 050‐5541‐8600 (Hello Dial)

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