{"id":31552,"date":"2024-07-03T11:03:48","date_gmt":"2024-07-03T02:03:48","guid":{"rendered":"https:\/\/localhost:10443\/en\/?p=31552"},"modified":"2024-07-03T11:03:48","modified_gmt":"2024-07-03T02:03:48","slug":"playful-art-mitsui-memorial-museum","status":"publish","type":"post","link":"https:\/\/tsumugu.yomiuri.co.jp\/en\/events\/playful-art-mitsui-memorial-museum\/","title":{"rendered":"Testing out your five senses with Japanese art and craft at Mitsui Memorial Museum"},"content":{"rendered":"\n

Needless to say, we use our visual sense to appreciate art in any exhibition. However, in “Enjoying Japanese Art through Our Five Senses,” an exhibition that just kicked off at the Mitsui Memorial Museum in Tokyo, the museum suggests that we bring in the other four basic human senses — touch, hearing, smell and taste — to admire the 70 or so Japanese works of art they have on display.<\/p>\n\n\n\n

\"\"\/
The Metal Spiny Lobster, a jizai okimono<\/em> (articulated figure) by Takase Kozan, is the first artwork you will come across in “Enjoying Japanese Art through Our Five Senses.” <\/figcaption><\/figure><\/div>\n\n\n\n

For instance, the first chapter of the exhibition (“Imagining the Taste”) highlights works of art (including tableware) that will likely appeal to your sense of taste, such as the “Metal Spiny Lobster” (Meiji-early Showa period, 19th-20th century), a jizai okimono<\/em> (articulated figure) by modern artist Takase Kozan (1869-1934); and the “Dish with Crane and Turtle Design” (Edo period, dated 1789), a saucer with a painting by Edo-period artist Maruyama Okyo (1733-95) on it.<\/p>\n\n\n\n

Playful Art and Aesthetic Sense VIII
Enjoying Japanese Art through Our Five Senses<\/strong><\/p>

Jul 2 (Tue) – Sep 1 (Sun), 2024<\/p>

Mitsui Memorial Museum
(Nihonbashi, Tokyo)<\/p>*See outline below for details<\/cite><\/blockquote>\n\n\n\n

The must-sees in this exhibition include a black Raku-ware tea bowl known as “Shunkan” (Momoyama period, 16th century) by Chojiro, who created Raku-style tea bowls according to the aesthetics of the great tea master Sen no Rikyu (1522\u201391), and another black Raku-ware tea bowl named “Amagumo” (Edo period, 17th century) by Edo-period artist Hon’ami Koetsu (1558\u20131637), both of which are designated important cultural properties of Japan. <\/p>\n\n\n\n

\"\"
Some of the fruit and vegetable-shaped colored ivory sculptures by ivory carver Ando Ryokuzan (ca. 1885-1955)<\/figcaption><\/figure>\n\n\n\n
\"\"
From a press preview of the exhibition at Mitsui Memorial Museum on July 1, 2024<\/figcaption><\/figure>\n\n\n\n
\"\"
“Fifty Types of Incense Trees” from an unknown era<\/figcaption><\/figure>\n\n\n\n
\"\"
The black Raku-ware tea bowl by Chojiro (16th century) is one of the designated important cultural properties on display in the exhibition.<\/figcaption><\/figure>\n\n\n\n
\"\"
“Cranes by the Sea” by Mitsui Takayoshi (1808-85), the 8th-generation head of the Mitsui family<\/figcaption><\/figure>\n\n\n\n

The exhibtion runs through Sept. 1, 2024.<\/p>\n\n\n\n

(Photos by Kazuki Matsuura)<\/p>\n","protected":false},"excerpt":{"rendered":"

Needless to say, we use our visual sense to appreciate art in any exhibition. However, in “Enjoying Japa […]<\/p>\n","protected":false},"author":22,"featured_media":31570,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6],"tags":[358,172,572,197,194,494,184],"class_list":["post-31552","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","tag-craft","tag-important_cultural_property","tag-incense","tag-mitsui_memorial_museum","tag-tea_bowl","tag-tea_utensils","tag-tokyo"],"acf":[],"yoast_head":"\nTesting out your five senses with Japanese art and craft at Mitsui Memorial Museum | \u7d21\u3050\u30d7\u30ed\u30b8\u30a7\u30af\u30c8<\/title>\n<meta name=\"description\" content=\"Needless to say, we use our visual sense to appreciate art in any exhibition. 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