{"id":25481,"date":"2023-09-04T15:38:42","date_gmt":"2023-09-04T06:38:42","guid":{"rendered":"https:\/\/localhost:10443\/en\/?p=25481"},"modified":"2023-09-12T11:18:39","modified_gmt":"2023-09-12T02:18:39","slug":"chozetsu-giko-mitsui-memorial-museum-tokyo","status":"publish","type":"post","link":"https:\/\/tsumugu.yomiuri.co.jp\/en\/events\/chozetsu-giko-mitsui-memorial-museum-tokyo\/","title":{"rendered":"Contemporary craft applying <i>chozetsu giko<\/i> featured at Mitsui Memorial Museum"},"content":{"rendered":"\n<p class=\"has-drop-cap wp-block-paragraph\">Craft artists of the Meiji era (1868-1912) are said to have used <em>chozetsu giko<\/em> (transcendental techniques) in their creation of ceramics, metalworks, wood carvings, cloisonne (<em>shippo<\/em>) ware, <em>maki-e<\/em> lacquerware and other types of handicraft. The incredible techniques, inexorably, declined with the Westernization of Japan. The artists of today, however, have developed their own skill set inspired and encouraged by what the pioneers of modern Japanese craft had achieved.<\/p>\n\n\n\n<div class=\"wp-block-tsumugu-blocks-modal-image wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"\/en\/wp-content\/uploads\/2023\/06\/c89b344b3fd3a928c97c52a5c28913ac.jpg\" alt=\"\"\/><figcaption>Otake Ryoho<br\/>Moonlight (2020)<br\/>Deer horn, zelkova, maple tree, Japanese torreya and titanium alloy<\/figcaption><\/figure><\/div>\n\n\n\n<blockquote style=\"text-align:center\" class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>Special Exhibition<br><strong>In the Genes, Taking Marvelous Meiji Craftsmanship into the Future<\/strong><\/p><p>Sep 12 (Tue) &#8211; Nov 26 (Sun), 2023<\/p><p>Mitsui Memorial Museum<br>(Nihonbashi, Tokyo)<\/p><p>*See outline below for details<\/p><\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">&#8220;In the Genes, Taking Marvelous Meiji Craftsmanship into the Future,&#8221; a special exhibition that kicked off at the Mitsui Memorial Museum in Tokyo&#8217;s Nihonbashi district on Sept. 12, 2023, is one presentation of what contemporary artists have accomplished thus far with their own &#8220;transcendental&#8221; skills.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The exhibition is showcasing a total of 64 works by 17 artists among the vanguard of contemporary Japanese craft art. Meiji-era works of artistic and historical value &#8212; a great number of which was collected by Masayuki\u00a0Murata, the director of the Kiyomizu Sannenzaka Museum in Kyoto &#8212; will also go on display.<\/p>\n\n\n\n<div class=\"wp-block-tsumugu-blocks-modal-image wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"\/en\/wp-content\/uploads\/2023\/06\/b313f8a7c2a8e5891b6140350131a449.jpg\" alt=\"\"\/><figcaption>Ikeda Terumasa<br\/>&#8220;Infinite fountain&#8221; pyramidal incense box with inlaid mother-of-pearl (2022)<br\/> Japanese lacquer, Kiso cypress, abalone shell and gold <\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">&#8220;Transcendental techniques&#8221; in today&#8217;s craft can be found, for instance, in  Fukuda Toru&#8217;s amazing woodwork &#8220;Puddling&#8221; (2022). The lifelike butterflies sipping moisture from the puddles were made not by carving out the figures, but by fittimg small pieces of wood. The puddles were created by chiseling away at the platform and then burnishing the bumps. <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"790\" src=\"\/en\/wp-content\/uploads\/2023\/06\/81dccf1a939e57dbaca8e3a4f941d2dc-2.jpg\" alt=\"\" class=\"wp-image-25492\"\/><figcaption>Fukuda Toru<br>Puddling (2022)<br>Ebony, black persimmon, persimmon, Japanese spindle tree, magnolia, picrasma wood, willow and amarillo<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"790\" src=\"\/en\/wp-content\/uploads\/2023\/06\/15ec3b38785f33bdbe26f10de81fd47a-2.jpg\" alt=\"\" class=\"wp-image-25493\"\/><figcaption>Maehara Fuyuki<br>A moment: Dried cuttlefish and sake cup (2022)<br>Magnolia, oil painting and ink<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-tsumugu-blocks-modal-image wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"\/en\/wp-content\/uploads\/2023\/06\/62b9be274b26e78ecefe0ab82ea117ba.jpg\" alt=\"\"\/><figcaption>Inazaki Eriko<br\/>Amrita (2023)<br\/>Stoneware clay and porcelain clay<\/figcaption><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"790\" src=\"\/en\/wp-content\/uploads\/2023\/06\/9f0c59a31a68465d34f3ce9f94430422.jpg\" alt=\"\" class=\"wp-image-25494\"\/><figcaption>Hongo Shinya<br>Visible 01 Border (2021)<br>Iron, red copper and silver<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-tsumugu-blocks-modal-image wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"\/en\/wp-content\/uploads\/2023\/06\/266287890dc9f423b4ceb46b6373d55b.jpg\" alt=\"\"\/><figcaption>Aoki  Mika<br\/>Between you and I (2017)<br\/>Glass and stainless steel<\/figcaption><\/figure><\/div>\n\n\n\n<h5 class=\"wp-block-heading\">Works by Meiji-era craft artists:<\/h5>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"790\" src=\"\/en\/wp-content\/uploads\/2023\/06\/a951c4c99256bdb2a331ab5ca3c2ab08.jpg\" alt=\"\" class=\"wp-image-25500\"\/><figcaption>Shirayama Shosai<br>Maki-e lacquer incense box with feathers<br>Kiyomizu Sannenzaka Museum<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-tsumugu-blocks-modal-image wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"\/en\/wp-content\/uploads\/2023\/06\/1f77865dc4acbd2f3835f7bb97896594.jpg\" alt=\"\"\/><figcaption>Ando Ryokuzan<br\/>Persimmons<br\/>Kiyomizu Sannenzaka Museum<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-tsumugu-blocks-modal-image wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"\/en\/wp-content\/uploads\/2023\/06\/f5a5bda2195e17889a77410409652760.jpg\" alt=\"\"\/><figcaption>Vase with flowers<br\/>Namikawa Yasuyuki<br\/>Kiyomizu Sannenzaka Museum<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Craft artists of the Meiji era (1868-1912) are said to have used chozetsu giko (transcendental techniques) in  [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":25483,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6],"tags":[358,197,184],"class_list":["post-25481","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","tag-craft","tag-mitsui_memorial_museum","tag-tokyo"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Contemporary craft applying chozetsu giko featured at Mitsui Memorial Museum | \u7d21\u3050\u30d7\u30ed\u30b8\u30a7\u30af\u30c8<\/title>\n<meta name=\"description\" content=\"&quot;In the Genes, Taking Marvelous Meiji 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