{"id":20026,"date":"2022-12-19T11:21:20","date_gmt":"2022-12-19T02:21:20","guid":{"rendered":"https:\/\/localhost:10443\/en\/?p=20026"},"modified":"2022-12-26T17:01:14","modified_gmt":"2022-12-26T08:01:14","slug":"sophie-richard-uk-japan-queens-gallery-london","status":"publish","type":"post","link":"https:\/\/tsumugu.yomiuri.co.jp\/en\/feature\/sophie-richard-uk-japan-queens-gallery-london\/","title":{"rendered":"Japanese art according to Sophie Richard: Artistic exchanges between British and Japanese courts retraced at Queen&#8217;s Gallery"},"content":{"rendered":"\n<p class=\"has-drop-cap wp-block-paragraph\">Placing the spotlight on a somewhat unusual theme, &#8220;Japan: Courts and Culture,&#8221; an exhibition that opened earlier this year (2022) in London, retraces the artistic and diplomatic exchanges between the British and the Japanese courts over a period of 350 years. For this occasion, The Queen\u2019s Gallery, Buckingham Palace adopted a new, sober and very elegant scenography made of black or red walls and cases whose gently glossy surfaces are reminiscent of lacquer. Fascinatingly, most of the objects on view have been presented or commissioned by the Japanese imperial family. <\/p>\n\n\n\n<div class=\"wp-block-tsumugu-blocks-modal-image wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"\/en\/wp-content\/uploads\/2022\/12\/71611a.jpg\" alt=\"\"\/><figcaption>Iwai Yozaemon, <em>Armour<\/em>, c. 1610<br\/>Sent to James I by Sh\u014dgun Tokugawa Hidetada in 1613<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The exhibition starts fittingly with the very first gift from a Japanese ruler to reach the English court, an impressive armour sent by Shogun Tokugawa Hidetada to James I of England in 1613. Yet, a few years later, Japan\u2019s military government would close the country to foreigners, thus cutting diplomatic relations with Britain for almost 250 years. During that period, monarchs would nevertheless continue to acquire Japanese artworks through traders, attesting to the vogue for exotic goods such as Japanese porcelain and lacquer cabinets.<\/p>\n\n\n\n<div class=\"wp-block-tsumugu-blocks-modal-image wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"\/en\/wp-content\/uploads\/2022\/12\/34de962b459a29897d9ef15103f537a4-3.jpg\" alt=\"\"\/><figcaption> Arita, Hizen Province, <em>Hexagonal jars and covers<\/em>, 1670<em>\u2013<\/em>90<br\/>Acquired by Mary II<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Ending its seclusion, and the long interruption in the exchange of gifts between the two countries, Japan sent an assortment of presents to Queen Victoria in 1860. Among them was a remarkable set of <em>Yari<\/em>, or spears. Measuring almost four meters in length, these luxurious objects (made between 1750 and 1850 for the blades and 1800 to 1850 for the mounts) are entirely covered in innumerable small pieces of mother-of pearl set in lacquer. They would have been carried by the entourage of a feudal lord during processions to pay homage to the shogun. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Soon there were also personal contacts between the two courts, as members of the royal and imperial families began to travel between the two countries. Prince Alfred, Duke of Edinburgh, Queen\u2019s Victoria\u2019s second son, became the first foreign royal visitors to Japan in 1869. Over the course of four weeks, he acquired numerous works of art, many of which were exhibited to the public in the following years, to great acclaim. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The exhibition presents captivating\nexamples of metalwork, lacquerwork and paintings.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Alongside highly polished decorative objects such as pairs of metal vases displaying intricate inlay techniques and complex decoration stands a cast iron vase (1900-1910) by the firm of Nizaemon whose rustic simplicity is a rare illustration in the exhibition of the <em>wabi-sabi<\/em> aesthetics. It was probably acquired by the Prince of Wales during his visit to Japan in 1922. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">During her state visit to Japan in 1975, Queen Elizabeth II was presented with an eye-catching vase by Hamada Shoji, a leading potter of the twentieth century and pioneer of the Mingei movement.<\/p>\n\n\n\n<div class=\"wp-block-tsumugu-blocks-modal-image wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"\/en\/wp-content\/uploads\/2022\/12\/c57b85280141c6f2978562d2544d214e-1.jpg\" alt=\"\"\/><figcaption>Hamada Sh\u014dji, <em>Square vessel, <\/em>1960\u201375<br\/>Presented to Her Majesty The Queen during her State Visit to Japan, 1975<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Official gifts were also presented of course on the momentous occasion of a coronation, such as the portable cabinet presented to Queen Mary by the Emperor Meiji in 1911. The work of Akatsuka Jitoku, a member of the Imperial Art Academy who created several imperial presentation pieces, it displays a sumptuous gold ground against which flowers are blooming and a peacock is taking its flight. A chrysanthemum crest identifies the cabinet as an imperial gift.<\/p>\n\n\n\n<div class=\"wp-block-tsumugu-blocks-modal-image wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"\/en\/wp-content\/uploads\/2022\/12\/99ffc84dfa184ee468ce308eac7ea0e8-2.jpg\" alt=\"\"\/><figcaption> Akatsuka Jitoku, <em>Miniature cabinet of drawers<\/em>, c. 1905\u201307<br\/>Presented to Queen Mary by the Emperor Meiji and Empress Sh\u014dken as a Coronation gift, June 1911<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Lacquer was also the medium selected for a\ngift presented by Emperor Showa to Elizabeth II for her coronation in 1953. A\ngorgeous cosmetic box by Shirayama Shosai, who became an Imperial Household\nArtist in 1906, it is among the most remarkable objects in the exhibition.\nAgainst the lustrous black of the box\u2019s cover, a heron stands with its feathers\ndelicately rendered in a gradation of whites and silver.<\/p>\n\n\n\n<div class=\"wp-block-tsumugu-blocks-modal-image wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"\/en\/wp-content\/uploads\/2022\/12\/75f16c54d66b50acd45753204572b2bb-1.jpg\" alt=\"\"\/><figcaption>  Shirayama Sh\u014dsai, <em>Box and cover<\/em>, c. 1890<em>\u2013<\/em>1905<br\/>Sent to Elizabeth II by the Emperor Sh\u014dwa on the occasion of her Coronation in 1953<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">While all the precious objects in the\nexhibition are displayed behind glass, an exception is made for two spectacular\nembroidered folding screens, thus allowing visitors to fully appreciate and\nadmire their quality, exceptional state of conservation and the painterly\neffects of the silk. On the one illustrated below, the magnificent mountain\nscenery, executed in muted colours, seems to glimmer gently under the sun and\nthe river to be flowing under our eyes.<\/p>\n\n\n\n<div class=\"wp-block-tsumugu-blocks-modal-image wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"\/en\/wp-content\/uploads\/2022\/12\/76515b444d5b7a85c2e14cd705f9ddce-2.jpg\" alt=\"\"\/><figcaption> Kyoto, Japan, <em>Embroidered folding screen<\/em>, 1880\u201397<br\/>Sent to Queen Victoria by the Emperor Meiji for her Diamond Jubilee, 1897<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Normally scattered among various royal residences, the wide array of objects in the exhibition demonstrate that the beauty of nature is the central theme of Japanese courtly art.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Placing the spotlight on a somewhat unusual theme, &#8220;Japan: Courts and Culture,&#8221; an exhibition that [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":20075,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[407],"tags":[46,45,179,523,522,470],"class_list":["post-20026","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature","tag-imperial_family","tag-imperial_household","tag-japanese_art_according_to_sophie_richard","tag-london","tag-queens_gallery","tag-sophie_richard"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Japanese art according to Sophie Richard: Artistic exchanges between British and Japanese courts retraced at Queen&#039;s Gallery | \u7d21\u3050\u30d7\u30ed\u30b8\u30a7\u30af\u30c8<\/title>\n<meta name=\"description\" content=\"Placing the spotlight on a somewhat unusual theme, &quot;Japan: Courts and Culture,&quot; an exhibition that opened earlier this year (2022) in London, retraces the artistic and diplomatic exchanges between the British and the Japanese courts over a period of 350 years .... 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