{"id":1823,"date":"2019-10-31T18:17:40","date_gmt":"2019-10-31T09:17:40","guid":{"rendered":"https:\/\/tsumugu-admin.yomiuri.co.jp\/en\/?p=1823"},"modified":"2019-10-31T18:17:42","modified_gmt":"2019-10-31T09:17:42","slug":"special-feature-enjoy-the-autumn-foliage-of-naras-wondrous-yamatoji-the-shosoin-treasures-await-you-and-more","status":"publish","type":"post","link":"https:\/\/tsumugu.yomiuri.co.jp\/en\/feature\/special-feature-enjoy-the-autumn-foliage-of-naras-wondrous-yamatoji-the-shosoin-treasures-await-you-and-more\/","title":{"rendered":"SPECIAL FEATURE: Enjoy the autumn foliage of Nara\u2019s wondrous Yamatoji \u2014 The Shosoin treasures await you, and more"},"content":{"rendered":"\n<h6 class=\"wp-block-heading\">By Miku Sawano \/  TSUMUGU Project<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">We are right in the middle of autumn, when the tree leaves change their color. If you want to enjoy art in Japan, this is the best season for it. It is special this year in that you can enjoy viewing the imperial treasures of the Shosoin Repository \u2014 which are usually showcased once a year in Nara, where it is located \u2014 also in Tokyo, but why not see the irreplaceable works of art in Nara where they belong? Let\u2019s embark on a trip to the Yamatoji (ancient paths of Yamato) in Nara, where the autumn leaves are absolutely beautiful, to be amused by the fine treasures on display at the Shosoin exhibit before strolling through the back alleys of Kitamachi, a hot spot where new shops open one after another.<\/p>\n\n\n\n<h6 class=\"wp-block-heading\">Assets showcased in Tokyo and Nara astonish experts<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cIn both Nara and Tokyo, you will encounter the very best of the first-class treasures. I have been in Nara for 24 years, but the Shosoin exhibition has never been this rich,\u201d said Sakae Naito. Naito is the director and chief curator of the Curatorial Division of the Nara National Museum.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> \u201cThe 71st Annual Exhibition of Shoso-in Treasures\u201d at the museum will last three days longer than in previous years and is showcasing a total of 41 assets from the repository until Nov. 14.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">When Emperor Shomu, who erected the Todaiji temple, passed away in 756, Empress Komyo dedicated her husband\u2019s favorite items to the Great Buddha of the temple. This is the origin of the Shosoin treasures. There were about 9,000 items in all, a great many of which were materials from the temple, administrative documents and items dedicated by the nobles. Today, they are stored in ferro-concrete repositories which are sealed with <em>chokufu<\/em>, or the seal of the Emperor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cSealing the repository with chokufu has been going on for more than 1,200 years. In autumn, when rain is scarce and the air is dry, the <em>kaifu-no-gi<\/em> ceremony to take the seal off is carried out to open the treasure houses for inspection and research. The Shosoin exhibition is held while the treasure houses are open,\u201d Naito explained. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In principle, the assets that are put on display will not be exhibited again for at least a decade. \u201cYou can come to the exhibition several years in a row and still encounter some new treasure. That is what makes the Shosoin exhibition so attractive,\u201d Naito said. <\/p>\n\n\n\n<h6 class=\"wp-block-heading\">Nara exhibit: Get a feel of the Tenpyo period<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">In commemoration of the enthronement of the Emperor this year, the Nara exhibition will feature treasures that testify to the founding of Shosoin. Naito directs our attention to the \u201cLacquered Red Zelkova Cabinet.\u201d The cabinet is made of Japanese zelkova and comes with a set of folding doors. It has been passed down for generations since the time of Emperor Tenmu during the Asuka period (592-710).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe cabinet was used to store betrothal gifts exchanged between Emperor Shomu and Empress Komyo, letters written about the deceased prince, a belt donned by the emperor among other things cherished by the sovereign. It may well be the most venerable cabinet there is,\u201d said Naito.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/09\/4babbaecb62d500d55c7f9445d39eae4.jpg\" alt=\"\" class=\"wp-image-3126\"\/><figcaption>Lacquered Red Zelkova Cabinet<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">All six panels of the \u201cFeather-decorated Screen Panels of Beauties under Trees\u201d are showcased at the exhibition for the first time in 20 years. \u201cThe lady\u2019s hair is white because feathers were pasted there. The feathers were of mountain birds and very colorful. It seems they were used to decorate the face and garments,\u201d Naito explained.  Almost all the feathers fell off, but the fragments of what remains on the surface indicate the birds were native.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cAshes from the Nara period still remain,\u201d said Naito, introducing the  \u201cRed sandalwood incense burner with long handle and gold inlay.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cIt uses <em>shitan,<\/em> valuable wood only available in Southeast Asia and India. The burner was probably made in China,\u201d said Naito. Solidified ashes and scorch marks remain on the burner. \u201cSome experts say it was used on the occasion of Emperor Konin\u2019s funeral in 781. It remains as was. Don\u2019t you feel like history is at hand?\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/09\/f7da691a6a675a5fe3cb350d7d175563.jpg\" alt=\"\" class=\"wp-image-3129\"\/><figcaption>Red sandalwood incense burner with long handle and gold inlay <\/figcaption><\/figure>\n\n\n\n<h6 class=\"wp-block-heading\">Tokyo exhibit: Incense wood that fascinated Nobunaga<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">The \u201cShosoin: Essential Treasures of Ancient Japan Passed Down by the Imperial Family\u201d exhibit will be held at the Tokyo National Museum until Nov. 24. It showcases 43 assets  often seen in school textbooks including the \u201cFive-stringed biwa lute of shitan with mother-of-pearl inlay\u201d and \u201c<em>Ojakuko<\/em>,\u201d a piece of agarwood better known as \u201cRanjatai.\u201d <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe \u2018Register of National Treasures,\u2019 one of the items on display, is a list of Shosoin treasures and for us, something like a Bible. This is where the Shosoin treasures begin and so it\u2019s something we very much care for,\u201d said Naito.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ranjatai was one of the finest incense woods in the country, and samurai warlord Oda Nobunaga is said to have cut off a part of it.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Naito: \u201cAt that time, cutting off a part of the Ranjatai seems to have been the ruler\u2019s privilege. The Ashikaga shogunate also received a piece of it. Nobunaga likely gave the pieces he received to the emperor\u2019s envoy and tea masters under his wing. He didn\u2019t cut the pieces off for his own sake.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/09\/8.jpg\" alt=\"\" class=\"wp-image-3132\"\/><figcaption>Ojakuko (Ranjatai) <\/figcaption><\/figure>\n\n\n\n<h6 class=\"wp-block-heading\">Valuable objects cherished for more than a millennium<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">The Tsumugu Project asked Naito-san to give us tips on how to enjoy viewing the Shosoin treasures.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cTo begin with, all you need to do is simply enjoy viewing them as beautiful works of art,\u201d Naito said. The treasures were dedicated to Buddha, so they include not only jewelry but also tableware and administrative documents. \u201cJust by looking at the treasures, you will learn about the life of people in various positions of the time \u2014 from the sovereign emperor to low ranking bureaucrats and priests. Like the incense burner, there are many things on display that were left as they were used, which gives you a sense of how people were back then.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The treasures were kept in airtight <em>karabitsu<\/em>, or Chinese-style crests, which were stored in raised-floor warehouses. \u201cThe chests used at the time did not mold because they had legs and did not touch the floor directly. People came to keep records and inspect the contents and put insect repellent incense inside, thereby carefully protecting the treasures for more than a millennium. If these were excavated items, they wouldn\u2019t  have stayed in such a good shape.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Reflecting on what people have been doing since the ancient past may be a part of the fun of going to the Shosoin exhibition. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">If you step outside and walk through Nara Park for about 15 minutes, you will reach the main warehouse of the Shosoin Repository which has long been protecting these treasures. On weekdays, you can enter the premises to view the exterior.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/09\/kijinai_nara201910_04.jpg\" alt=\"\" class=\"wp-image-2938\"\/><figcaption>Shosoin Repository<\/figcaption><\/figure>\n\n\n\n<h6 class=\"wp-block-heading\">Strolling through the backstreets of Kitamachi<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">Having enjoyed every bit of the first Shosoin exhibition of the Reiwa era, let\u2019s venture into the <em>mahoroba<\/em>, or wondrous land, of today.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The area buzzing with new shops is Kitamachi, which spreads on the north side of Kintetsu Nara Station. Due west of the main warehouse of the Shosoin Repository stands the designated national treasure Todaiji Tegaimon gate, a relic from the Nara period (710-794). Go through the gate to find yourself standing at the entrance of Kitamachi. Midori Kurahashi, chief director and editor of nonprofit organization Bunka Sozo Arca, which makes walking maps, gave us a quick tour.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/09\/kijinai_nara201910_05.jpg\" alt=\"\" class=\"wp-image-2939\"\/><figcaption>The Todaiji Tegaimon gate, a designated national treasure. Outside the gate is the Kitamachi area. Midori Kurahashi loves the area and has an office there. <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Our first stop was Mukaide Shoyu (soy sauce) Brewery, which stood right by the gate. The brewery was established in 1879 and is known for manufacturing soy sauce the old-fashioned way: from steaming soy beans and roasting wheat to naturally fermenting the mixture in wooden barrels. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cDuring summer, the wooden barrels are stirred every three days,\u201d said the sixth generation owner of the brewery.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kurahashi recommends \u201cHonzukuri shoyu Hosen koikuchi\u201d (720 milliliters, 864 yen, including tax). \u201cIt\u2019s very mild in taste and goes perfectly with any dish.\u201d This and other products can be purchased over the counter. <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/09\/kijinai_nara201910_06.jpg\" alt=\"\" class=\"wp-image-2940\"\/><figcaption>Soy sauce, dark or light, and ponzu bitter orange vinegar can be purchased at the Mukaide Shoyu Brewery shop<\/figcaption><\/figure>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u25cf<strong>Mukaide Shoyu Brewery<\/strong><br> 22-1 Tegaicho, Nara city<br> Tel. 0742-22-2306<br> Open 8 a.m. to 5 p.m. (No scheduled holidays\uff09 <\/p><\/blockquote>\n\n\n\n<h6 class=\"wp-block-heading\">Wander into an alley to find \u2018holy ground\u2019  <\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cWould you like to find something unique to buy at an old private house?\u201d Kurahashi took us deep into an alley until we reached a private house annex which was renovated for commercial use.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/09\/kijinai_nara201910_07.jpg\" alt=\"\" class=\"wp-image-2941\"\/><figcaption>Furukoto and Kitokito share an old private house annex at the end of an alley <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">We took our shoes off at the entrance and went upstairs to find Furukoto, a general store run by local editors and illustrators. A stuffed doll of a giant-panda-disguised-as-a-deer character(!) welcomed us.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/09\/kijinai_nara201910_08.jpg\" alt=\"\" class=\"wp-image-2942\"\/><figcaption>Furukoto, a general store on the second floor of an old private house annex<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/09\/kijinai_nara201910_09.jpg\" alt=\"\" class=\"wp-image-2947\"\/><figcaption>Danchino Pankichi, a giant-panda-disguised-as-a-deer character<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThis shop is absolutely secluded. You cannot get here unless you get lost in the alleys. People call it the \u2018holy ground\u2019 for Nara lovers,\u201d Kurahashi said. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The shop is filled with stationary, bags and interior goods with Nara-esque motifs such as the Manyoshu collection of poems, deer, Shosoin patterns and designs. The merchandise are designed by Nara-loving artists.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Shinobu Arai, a writer as well as one of the  shop\u2019s owners, says we should purchase the soon-to-be-released \u201cNara Tabi Techo\u201d (Nara travel handbook; 2,100 yen, tax included), which gives you ample information on temples and shrines in Nara as well as a <em>saijiki<\/em> literary calendar. \u201cThe handbook is all about traveling in Nara and even gives you detailed information on where you can find coin-operated lockers and sento public baths. It sells well. This year, we will release one in early November,\u201d she said. She says the demand is overwhelming.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/09\/kijinai_nara201910_11.jpg\" alt=\"\" class=\"wp-image-2948\"\/><figcaption> Postcards (170 yen ea., tax included) with illustrations of Empress Komyo, Emperor Jito and other women of the Nara period and other commodities by illustrator Yasuko Uemura, another one of the shop\u2019s owners<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">On the first floor of the annex, there is Kitokito, a specialty shop handling plates, cups and bowls. Owner Takako Okamoto opened the shop eight years ago to make designer tableware more easily accessible. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cTea cups are 2,000 yen or higher. A lot of these can be used in microwave ovens. The artists are either in their 30s or 40s and some of them are from Nara. I prefer vessels with soft tones. I visit my favorite artists often to purchase them. <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/09\/kijinai_nara201910_12.jpg\" alt=\"\" class=\"wp-image-2949\"\/><figcaption>Takako Okamoto, right, makes recommendations to Kurahashi.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Some of the young artists reside in the Kitamachi area. One such artist, Osamu Sakamoto, makes lacquer-ware using pop colors such as red, yellow and blue. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cI use bright colors to make my customers feel happy. Also, the smooth texture, a distinctive feature of lacquer, gives you a comfortable feeling,\u201d said Sakamoto. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">His works include cups (3,700 yen ea., tax excluded) and small dishes (2,800 yen ea., tax excluded), most of which are suitable for everyday use. Kurahashi loves to wear a brooch (3,000 yen or higher) she purchased here. <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/09\/kijinai_nara201910_13.jpg\" alt=\"\" class=\"wp-image-2950\"\/><figcaption>Osamu Sakamoto\u2019s mixes lacquer with paint to color his zelkova vessels and applies his own drying technique to come up with unique colors. <\/figcaption><\/figure>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u25cf<strong>Furukoto<\/strong><br> 2nd Floor, 61-2 Higashi-Kanenagacho, Nara city<br> Tel. 0742-26-3755<br> Open 11 a.m. to 5 p.m. (Closed Tue. &#8211; Fri.)<\/p><p> \u25cf<strong>Kitokito<\/strong><br> 61-2 Higashi-Kanenagacho, Nara city<br> Tel. 0742-26-8102<br> Open 11 a.m to 6 p.m. (Closed on Thursdays) <\/p><p>\u25cf<strong>Urushi no Irodori (Workshop of Osamu Sakamoto)<\/strong><br> 2-1 Zoshicho, Nara city<br> Tel. 0742-22-2953<br> *Send an email to osamumeister@gmail.com before visiting the workshop.<br><a rel=\"noreferrer noopener\" href=\"http:\/\/www.urushi-no-irodori.com\/\" target=\"_blank\">http:\/\/www.urushi-no-irodori.com\/<\/a><\/p><\/blockquote>\n\n\n\n<h6 class=\"wp-block-heading\">Sweets dating back to the time of Kentoshi<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">Feeling a bit tired after a long walk? Well then, how about some sweets?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">To the south of the Tegaimon gate, there is the Senjyuan Yoshimune Nara Sohonten. The tea shop up-front serves <em>warabi mochi<\/em> bracken-starch dumplings and shaved ice, among other things. The shop\u2019s specialty is \u201cNama (fresh) warabi mochi\u201d (648 yen, tax included), which is made from a recipe based on ancient documents collected by the late owner. It uses <em>kansho<\/em> sweet potato starch from Kagoshima Prefecture and domestically produced genuine <em>warabi<\/em> flour. Have a bite to savor the springy texture.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/09\/kijinai_nara201910_01.jpg\" alt=\"\" class=\"wp-image-2946\"\/><figcaption>Nama warabi mochi <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">For gifts, Kurahashi suggested we go to Manmando Michinori near Kintetsu Nara Station for their \u201cButo manju\u201d (216 yen ea., tax included). The dumpling is like a bean paste doughnut and made to resemble the \u201cButo\u201d of the Kasuga Taisha grand shrine, which is an offering to the gods. Allegedly, it dates back to the time when Japanese envoys to the Tang Dynasty (618-907) brought back Chinese confectionery to Japan.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kurahashi loves \u201cBisho,\u201d which are dry sweets made from Wasanbon sugar (1,188 yen per box, tax included). They come in boxes adorned with camellia drawings. \u201cWhen I\u2019m done with the sweets I use the boxes, too, because they\u2019re cute,\u201d she said.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/09\/kijinai_nara201910_03.jpg\" alt=\"\" class=\"wp-image-2937\"\/><figcaption>Buto manju<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/09\/kijinai_nara201910_02.jpg\" alt=\"\" class=\"wp-image-2936\"\/><figcaption>Bisho <\/figcaption><\/figure>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p><strong>\u25cfSenjyuan Yoshimune Nara Sohonten<\/strong><br>39-1 Oshiagecho, Nara city<br>Tel.&nbsp; 0742-23-3003<br>Open 9 a.m. \u2013 6 p.m. (closed only on Jan. 1)<br>Tea shop open 10 a.m \u2013 5 p.m. (Last order at 4:30 p.m., closed on Wednesdays and occasionally on other days)<\/p><p>\u25cf<strong>Manmando Michinori<\/strong><br> 34 Hashimotocho, Nara city<br> Tel. 0742-22-2044<br> Open 9 a.m. to 7 p.m., 10 a.m. to 5 p.m. on Thurs. <br> (Closed irregularly on Thursdays) <\/p><\/blockquote>\n\n\n\n<h6 class=\"wp-block-heading\">Where the twain shall meet<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">Kitamachi is where old <em>machiya<\/em> (traditional townhouses) are seen here and there, and where residents exchange greetings. Shop owners and others in the area launched effort to vitalize the area about seven years ago, and as a result, new shops have sprung up.  A one-day \u201cTengaiichi\u201d flea market is planned for Nov. 3.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Two ancient mausoleums&nbsp;\u2013 where Emperor Shomu and Empress Komyo&nbsp;rest in peace \u2013 stand side by side in the area, too. It can be said the area is perfect for a stroll after having viewed the Shosoin treasures. <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/09\/kijinai_nara201910_14.jpg\" alt=\"\" class=\"wp-image-2951\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The streets of Nara is where the new and the old meet, and blend into each other. Eternity is felt there. Why not take a stroll and wander into the alleys to meet new people? <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>*Prices indicated here are as of September 2019.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/09\/kijinai_nara201910_15.jpg\" alt=\"\" class=\"wp-image-2952\"\/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>By Miku Sawano \/ TSUMUGU Project We are right in the middle of autumn, when the tree leaves change their color [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":1882,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[407],"tags":[125,78,112],"class_list":["post-1823","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature","tag-nara","tag-nara_national_museum","tag-shosoin"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>SPECIAL FEATURE: Enjoy the autumn foliage of Nara\u2019s wondrous Yamatoji \u2014 The Shosoin treasures await you, and more | \u7d21\u3050\u30d7\u30ed\u30b8\u30a7\u30af\u30c8<\/title>\n<meta name=\"description\" content=\"We are right in the middle of autumn, when the tree leaves change their color. If you want to enjoy art in Japan, this is the best season for it. It is special this year in that you can enjoy viewing the imperial treasures of the Shosoin Repository \u2014 which are usually showcased once a year in Nara, where it is located \u2014 also in Tokyo, but why not see the irreplaceable works of art in Nara where they belong? Let\u2019s embark on a trip to the Yamatoji (ancient paths of Yamato) in Nara, where the autumn leaves are absolutely beautiful, to be amused by the fine treasures on display at the Shosoin exhibit before strolling through the back alleys of Kitamachi, a hot spot where new shops open one after another.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tsumugu.yomiuri.co.jp\/en\/feature\/special-feature-enjoy-the-autumn-foliage-of-naras-wondrous-yamatoji-the-shosoin-treasures-await-you-and-more\/\" \/>\n<meta property=\"og:locale\" content=\"ja_JP\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SPECIAL FEATURE: Enjoy the autumn foliage of Nara\u2019s wondrous Yamatoji \u2014 The Shosoin treasures await you, and more | \u7d21\u3050\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\" \/>\n<meta property=\"og:description\" content=\"We are right in the middle of autumn, when the tree leaves change their color. If you want to enjoy art in Japan, this is the best season for it. It is special this year in that you can enjoy viewing the imperial treasures of the Shosoin Repository \u2014 which are usually showcased once a year in Nara, where it is located \u2014 also in Tokyo, but why not see the irreplaceable works of art in Nara where they belong? 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