{"version":"1.0","provider_name":"\u7d21\u3050\u30d7\u30ed\u30b8\u30a7\u30af\u30c8","provider_url":"https:\/\/tsumugu.yomiuri.co.jp\/en","author_name":"\u677e\u6d66 \u4e00\u6a39","author_url":"https:\/\/tsumugu.yomiuri.co.jp\/en\/author\/kazu2023\/","title":"Japanese art according to Sophie Richard: Innovating new restoration techniques | \u7d21\u3050\u30d7\u30ed\u30b8\u30a7\u30af\u30c8","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"dIBuGPrHy7\"><a href=\"https:\/\/tsumugu.yomiuri.co.jp\/en\/feature\/oka-bokkodo-preserving-ancient-treasures\/\">Japanese art according to Sophie Richard: Innovating new restoration techniques<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/tsumugu.yomiuri.co.jp\/en\/feature\/oka-bokkodo-preserving-ancient-treasures\/embed\/#?secret=dIBuGPrHy7\" width=\"600\" height=\"338\" title=\"&#8220;Japanese art according to Sophie Richard: Innovating new restoration techniques&#8221; &#8212; \u7d21\u3050\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\" data-secret=\"dIBuGPrHy7\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/tsumugu.yomiuri.co.jp\/en\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/tsumugu.yomiuri.co.jp\/en\/wp-content\/uploads\/2023\/07\/5b1003db46892e470017b1cecfaccc7e.jpg","thumbnail_width":720,"thumbnail_height":444,"description":"In central Kyoto, on a street lined with buildings clad in traditional lattice work and topped with tiled roofs, discreetly sits a remarkable and vibrant art conservation studio. Founded in this location in 1894, Oka Bokkodo started business mounting scroll paintings, gradually expanding its activities and adding the restoration of artworks since after World War II....(From \"Japanese art according to Sophie Richard: Innovating new restoration techniques\")"}